Section II
For many of his sculptures, Petrides works from a living model — a family member, himself, or a commissioning patron. No such option exists here. Instead, from the many surviving images of Jefferson, he chose five — three paintings and two sculptures — deemed the best likenesses by Jefferson himself and by his family.
Houdon modeled Jefferson from life in Paris in August 1789. Widely regarded as the best-known likeness — strikingly lifelike, capturing a knowing half-smile and keen intelligence. It became the model for the U.S. nickel.
Perhaps the foremost artist in the world.Jefferson on Houdon
Ceracchi modeled Jefferson from life in Philadelphia in 1791–92, then carved the marble in Florence. Jefferson displayed the colossal bust on a green marble pedestal in Monticello’s Entrance Hall and considered it the chef-d’œuvre of all attempts to portray him. It offers precise cranial volume, brow projection and surface relief that no painting can provide.
Painted in Philadelphia just before Jefferson’s election, at age 57. Celebrated for its warm complexion and glow of health; the naturalistic palette and relaxed posture distinguish it from formal portraits — the key reference for complexion, skin tone and dignified warmth.
Jefferson’s own preferred likeness. The profile presents skull, brow ridge and jaw with sculptural precision. A strong aquiline nose, prominent forehead and direct Roman bearing make this the premier source for monumental portraiture.
The best which has been taken of me.Jefferson on the Medallion
Considered by Jefferson’s family one of the finest likenesses ever made. Stuart’s brushwork captures coral tones in the cheeks, exposed grey underpainting around eyes and jaw, and a brightly lit forehead revealing skull structure — essential for late-life facial planes and warm expression.
Enquiries
Petrides Public Sculpture · New York & Athens · +1 917 860 0932
